Juan Martin Cabezalero1633-1673 | |||
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Assumption ofthe Virgin la Virgen de ofthe de Suposición Pintura Identificación:: 32940 Vea nuestra galería en Suecia |
la Virgen de ofthe de Suposición mk84 ca.165-70 Madrid,Prado,canvas 237x169cm Madrid mk84 ca.165-70, Prado, la lona237x169cm mk84 ca.165-70 Madrid,Prado,canvas 237x169cm |
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Portrait of Queen Mariana de Austria Pintura Identificación:: 52624 Vea nuestra galería en Suecia |
Portrait of Queen Mariana de Austria 1678 Oil on canvas, 206 x 123,5 cm 1678_Oil_on_canvas,_206_x_123,5_cm |
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St James the Great in the Battle of Clavijo Pintura Identificación:: 52626 Vea nuestra galería en Suecia |
St James the Great in the Battle of Clavijo 1660 Oil on canvas, 231 x 168 cm 1660_Oil_on_canvas,_231_x_168_cm |
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Assumption of the Virgin Pintura Identificación:: 62360 Vea nuestra galería en Suecia |
Assumption of the Virgin 237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources 237_x_169_cm_Museo_del_Prado,_Madrid_Despite_his_training_with_Juan_Carre?o_de_Miranda,_Cabezalero_had_a_distinct_style_from_his_master._His_figures_are_drawn_with_crisp_outlines_and_carefully_modelled_with_firm,_controlled_brushstrokes,_qualities_that_are_different_from_the_broken,_impasto_technique_applied_by_Carre?o._These_qualities_are_evident_in_one_of_his_few_surviving_works,_the_Assumption_of_the_Virgin,_probably_executed_in_the_late_1660s_and_more_indebted_to_Italian_than_Flemish_sources |
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| Juan Martin Cabezalero | ||||||||||
| 1633-1673 | ||||||||||
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